Counterpoint

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Type of voices define the relationship between sound and movement principles of the Ministry of Sport and Exercise Contraindications Precautions Edit this paragraph defines polyphony writing techniques. According to certain rules that sound right tone, combined with the different tunes, making music in the lateral part of maintaining the independence and mutual comparison and contacts in the longitudinal direction can constitute a harmonious effect. Constitutes bit several parts, if only one binding mode, their relationship can not be right for a single person on the bit. Relationships can change by re-alignment. Can be changed by the upper and lower longitudinally movable alignment, can be moved around by a movable horizontal alignment, two and may be movable by vertical and horizontal alignment. Counterpoint Counterpoint and freedom can be divided into strict counterpoint two categories: ① strict counterpoint is an older church polyphony system, which uses medieval church modes as the basis for the interval based on a fixed Airs Writing on the various types of counterpoint melodies. Strict rules of this system are numerous, the majority of 16th-century choral style related. ② free places on the bit size adjustment system as the basis for harmonic progression as the basis for the treatment of dissonance, transpose, and other details on the use of oblique closer to the 18th century instrumental music creation. JJ Fuchs 18th century book "on the bit Jinliang," a book on digital technology to fall into five categories, each category are based on fixed Airs: The first class to a whole note on a whole note; second classes to two two-note on a whole note; third class to four quarter notes on a whole note; fourth class to two-note syncopation on a whole note rhythms; fifth category is taken mixed rhythm and a whole note relative. After the 19th century some of the textbooks, some still practice this classification is based on, but the scope of application of the chord, the sound portion of the rules has a corresponding alteration; others abandoned the classification directly mixed rhythm exercises tunes each pair; Some advocate a concise harmonies as the basis for each part as current rhythm décor. Edit this paragraph on the bit type polyphony is composed of several independent significance of the combination of melody part, also known as "on the bit", that is point to point, tone on tone meant. So polyphony technical theory was called "counterpoint." Interval nature: from the sense of hearing can be divided into Concord, dissonant two kinds. Consonance with the degree of pure fifty-eight degrees completely fulfilling Concord Concord Concord unstable six times the size of three four degrees of pure soft dissonant sophomore minor seventh dissonances big seven sharp dissonance dissonant minor second ambiguity increased four minus five degrees Edit this paragraph the relationship moving parts (a) phase for two voices in the same direction movement (2) two voices in parallel equidistant same direction (3) conduct an oblique part remains move to another part sport (4) Part staggered two parts partially interchangeable vertical position (5) over the original combination of voices beyond the position of the moving part Example: notation (Note: The first line of a little on , the second dotted line 7) to the five different --- 5 --- 6 --- 1 --- 1 --- 4 --- 7 --- 1 --- Parallel (Note: The first Sound on the dotted line 12) 1 --- 2 --- 7 --- 1 --- 3 --- 4 --- 2 --- 3 --- oblique (Note: The following first line of the last two sounds a little on 31) 3 --- 5 --- 5 --- 3 --- 1 --- 1 --- 1 --- 3 --- 3 --- 3 --- Reverse (Note: The following first line sounds a little on the whole) 3 --- 2 --- 1 --- 3 --- 4 --- 3 --- 5 --- 6 --- 5 --- 4 --- staggered (Note: The second section of Part staggered, wrote a glance on the staff) 6 --- 3 --- 6 --- 1 --- 5 --- 4 --- Beyond (Note: The second under the dotted line 7) 3 --- 6 --- 2 --- 1 --- 4 --- 7 --- staves:

counterpoint

Edit this paragraph the principle of moving parts and taboos (1) The combination of the two parts in consonance-based, full consonance (three, six degrees) most wide, the least restrictive. (2) The use of dissonances and should avoid ambiguous sharp dissonances (such as large seven, a small two by four, minus five degrees) in a prominent beat the binding (collision). (3) and reverse oblique part lines for help to highlight the independence, but also the most polyphony implies, is part polyphony main form of exercise. (4) for the parallel and in the same direction is not easy to show the independence of the line parts. Completely dissonant intervals in parallel (parallel eighty-five degrees) and carried out in the same direction (in the same direction to reach eighty-five degrees) should be avoided whenever possible. (5) In order to smooth and tone melody line to keep the sub-grid appears briefly staggered sound department is allowed,cristiano ronaldo cleats, but not much use for a long time in order to keep the lines clear voices. (6) Part beyond melody line would interfere with the continuity, should be avoided. The healing of these fundamental principles and taboos related content acoustics are common, through practical writing exercises these theoretical knowledge into practical skills. Edit this paragraph Precautions (1) being only a completely Concord (same degree, pure eighty-five degrees) and enrich concordant (the size of three six degrees) interval, and the remaining interval temporarily unused. (2) complete consonance sound relatively vague,Adidas Predator XII, not too much use. To avoid such an interval of parallel and in the same direction to reach for. As follows: (Note: The first three on the dotted line) level five with eight with 5:5 --- 6 --- 3 --- 5 --- 1 --- 2 --- 3 --- 1 - - (1) three major application is the interval of six degrees, but it should not be too similar parallel continuous interval (such as parallel three six degrees), generally three consecutive limit. Because too many consecutive parallel with the main theme will be easier confused musical texture, cut part if the independence movement. (2) Note that the interval between the Ministry and the sound twice the Ministry should take into account as far as possible the natural tones, smooth tonality and tuning factor expression. (3) Part interleaving and beyond temporarily unused, Ministry of Sound area twice the location should be moderate,Nike Clash Collection, not too wide apart. Here is a trial columns: one (Note: The second line is the bass clef) 1 - 1 - 2 - 1 - 5 - 4 - 5 - 3 - 6 - 3 - 2 - 3 - 1 - 2 - 3 - 6 - (three degree) (Six Degrees) (octave) (Six Degrees) (five degrees) (third degree) (third degree) (five degrees) two (Note: The second line is the bass clef, two rows of two on both a little) 2 - 4 - 5 - 6 - 7 - 6 - 5 - 4 - 2 - 6 - 7 - 4 - 5 - 6 - 7 - 2 - (octaves) (Six Degrees) (Six Degrees) (third degree) (three degree) (octave) (Six Degrees) (third degree) Edit this paragraph exercises (treble title) in the bottom part with one voice on a sound configuration counterpoint (1) 3 - 1 - 3 - 2 - 4 - 3 - 2 - 1 - (2) 1 - 7 - 6 - 5 - 6 - 5 - 4 - 3 - NOTE: the one on the second little (bass title) in the upper part with a tone on a sound configuration Counterpoint (1) 3 - 2 - 1 - 2 - 3 - 2 - 1 - 7 - (2) 1 - 5 - 6 - 5 - 4 - 3 - 2 - 1 - Notes: Article 7 next generation point. A little under Article 56 [1]